Growing up immersed in both American and Danish cultures has deeply influenced how I navigate life and approach my work. My bicultural upbringing, which is also mirrored in my education, has profoundly enriched my practice by blending perspectives from both sides of the Atlantic and offering a unique lens through which I create. My approach to both life and art is defined by an openness to new experiences, a receptiveness to learning, and an unrelenting drive for growth and embracing challenges.
The essence of progress in ceramics, for me, lies in the act of making, where each piece informs the next, creating a continuous dialogue between the head, hand, and heart. By leaning into this cycle, the act of making becomes a powerful driver of discovery, uncovering new insights and questions that propel my work into unexplored realms of possibility. This dynamic allows me to return to clay time and time again, with its consistent starting point serving as a reliable foundation. Yet, despite this constant, the paths it leads me down diverge greatly. The inherent versatility of clay—its ability to take on a new trajectory with each interaction, shaped by the nuances of the process—is what truly captivates me. This ensures that the journey of exploration remains as infinite as it is rewarding. I value the material for its capacity to challenge me as much as I challenge it.
The physical process of creating ceramics holds a special place in my practice and heart. I believe in and deeply value the process. This segment is abundant in ideas and experimentation, both physically and conceptually: it represents unrestricted and creative freedom – rendering any notions of 'right' and 'wrong' obsolete. Thinking through the material, I receive and respond to the information at hand, which is revealed by the process. This essential push and pull between myself and the material is where my experience of being a craftsman is enriched – mentally and physically immersed in the process.